The Transfeminine Review

One list down, four to go. Welcome back to Shortlist day for the 2025 TFR Awards, where we’ll be recognizing our leading nominees in five of our six marquee categories: Poetry, Nonfiction, Author, Debut, and Fiction. In case you missed it, our Poetry Shortlist is already out – now it’s my pleasure to announce our six honorees for the Best Transfeminine Nonfiction of 2025.

This year’s shortlist covers a wide range of genres and subjects, from cutting-edge transfeminist theory to literary criticism to a compilation of underground trans zines from the 90s! If you want to help decide the final winner, remember that voting for the TFR Reader’s Choice Awards is open right now. Voting will close on December 26th at 11:59pm EST, so there’s still plenty of time to recognize your favorite transfeminine nonfiction of 2025, no matter whether it made this shortlist or not! You can cast your ballot here.

Without further ado, here is your 2025 Shortlist for Best Transfeminine Nonfiction!

1. The Shortlist
   1. Trans/Rad/Fem – Talia Bhatt
   2. Authority: Essays – Andrea Long Chu
   3. Before Gender: Lost Stories from Trans History, 1850-1950 – Eli Erlick
   4. Love in Exile – Shon Faye
   5. Gendertrash from Hell: The First Print Collection of the Zine that Changed Everything – Mirha-Soleil Ross
   6. Marsha: The Joy and Defiance of Marsha P. Johnson – Tourmaline

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The Shortlist

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Can a synthesis of trans liberation and feminism be easily arrived at? This collection asserts that, as a matter of fact, we possessed the answer to that question decades ago.

Second-Wave feminism is, today, nearly synonymous with ‘transphobia’. Any mention of this era or the movement of ‘radical feminism’ conjures images of feminists allying with right-wingers and the authoritarian state, providing legal justification for outlawing gender-affirming care and spreading deeply evil caricatures of trans women to rationalize their exclusion as feminist subjects. In the ensuing struggle to reconcile trans rights with feminism, the specter of the trans-exclusionary radical feminist has often reared its head in opposition. One may be tempted to conclude that the Second Wave, as a whole, has done irreparable harm to feminist, queer and trans politics, and must be discarded entirely.

But is that truly the case?

Radical feminism also is responsible for repudiating bioessentialistic notions of gender with theories that place it as a firmly social phenomenon. It gave us the language to describe patriarchy as a regime of mandatory heterosexual existence and dared to dream of a post-gender existence long before anyone spoke the phrase “breaking the binary”. Modern transfeminism owes much to radical feminist theory, and despite all propaganda to the contrary, the two schools of thought may be far more allied than believed.

This series of essays aims to reconstruct and reintroduce the radical feminist framework that its misbegotten inheritors seem determined to forget and in doing so boldly makes the claim that transfeminism, far from being antagonistic to radical feminism, is in fact its direct descendant. It shows how a comprehensive social theory of transsexual oppression flows almost naturally from radical feminist precepts and dares to declare that a materialist, radical transfeminism is the way forward to seize the foundations of patriarchy at the root.

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Many worry that criticism is suffering from a crisis of authority. In a world where everyone’s a critic, what is criticism for? Since her canonical essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself.

Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact.

In two magisterial new essays, Chu offers a fresh intellectual history of criticism’s crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.

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Explore the trailblazing lives of 30 trans people who radically change everything you’ve been told about transgender history

Highlighting influential individuals from 1850-1950 who are all but unknown today, Eli Erlick shares 30 remarkable stories from romance to rebellion and mystery to murder. These narratives chronicle the grit, joy, and survival of trans people long before gender became an everyday term.

Organized into 4 parts paralleling today’s controversies over gender identity (kids, activists, workers, and athletes), Before Gender introduces figures whose forgotten stories transform the discussion

Bold and visionary, Erlick’s debut uncovers these lost stories from the depths of the archives to narrate trans lives in a way that has never been attempted before.

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Love is supposedly attainable for us all. But for most people, especially women, success with “love”—the yardstick we use to measure our value across romance, parenthood, sex, religion, and friendship—can feel out of reach, an experience frequently ascribed to a personal failing. This sense of unworthiness is, according to Shon Faye, “a form of exile: an intentional, punitive banishment that serves political ends.” Faye, a trans woman in her thirties, has felt isolated from love for as long as she can remember. So after the devastation of her first heartbreak, she figured it was time to find out why.

The subsequent investigation, Love in Exile, boldly reframes love’s elusiveness as a collective question. Conversationally frank and intellectually ambitious, these eight voice-driven essays unpack the norms governing love in our time with the insight of a shrewd outsider. Here, Faye examines her breakups with cis men alongside lessons from Lana Del Rey and Alain de Botton, explores the lovelessness that fueled her time as an addict, tackles the relationship between feminine self-worth and motherhood, and finally attempts to discover genuine self-acceptance.

The result is a dive into universal, deeply felt questions about love, reframed through a radical, revolutionary perspective. Written with the humor and rigor that made Faye an internationally bestselling writer, Love in Exile is a thrilling reckoning with love in our time.

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In 1993, Mirha Soleil-Ross and Xanthra Phillippa MacKay, fed up with a gay scene that rejected trans people and a trans scene that saw no alternative to going “stealth,” began to publish the zine Gendertrash From Hell. Over four issues, they interviewed sex workers and prisoners; they printed collages, soap operas and polemics; they ran regular sections with titles like “Trannies Speak Out” and “Hooker of the Month”. They redefined transsexual culture forever, and their explosive ideas resonate deeply today.

Remastered from the original layouts, this foundational work is now available in book form for the first time, including previously-unseen drafts from the unfinished fifth issue and essays by Trish Salah and Leah Tigers. Irreverent, furious, reckless, sexy, hilarious and incisive, Gendertrash from Hell is here to set all your presuppositions on fire.

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“Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now.

Written with sparkling prose, Tourmaline’s richly researched biography Marsha finally brings this iconic figure to life, in full color. We vividly meet Marsha as both an activist and artist: She performed with RuPaul and with the internationally renowned drag troupe The Hot Peaches. She was a muse to countless artists from Andy Warhol to the band Earth, Wind & Fire. And she continues to inspire people today.

Marsha didn’t wait to be freed; she declared herself free and told the world to catch up. Her story promises to inspire readers to live as their most liberated, unruly, vibrant, and whole selves.

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And that’s the list! If you haven’t voted yet, make sure to submit your ballot for this year’s awards by December 26th at 11:59pm EST; voting link below.

Thank you so much to everyone who’s already voted. Next up is the shortlist for Author of the Year, so keep your eyes peeled for that in the next few hours!